Posts Tagged ‘dvd’

Repent! The End is Extremely Fucking Nigh – Watched 28 Days Later

Monday, November 2nd, 2009

Probably 90% of you, faithful readers, have seen 28 Days Later and have already made up your own minds about it, but the other 10% of you, read on.

28 Days Later is a great movie; I love everything about it, from the way the tone is set by the music and camera work, to the subject matter itself. And let me get something out of the way early. I know some of you are just itching to pounce on that “Comment” link the instant I say 28 Days Later is a zombie movie.

Well, you can relax that clicker finger, because I clearly understand the difference between a true zombie story and the kind of story told in 28 Days Later, and please don’t hate me, but I prefer the “infected” to true zombies. In my mind, true zombies are monsters, in the same vein as vampires, werewolves, and other supernatural creatures. The fact that they’re dead, but still walking around means they’re more properly classified as fantasy than science fiction.

Don’t get me wrong, when zombies and post-apocalypses overlap, I’m all for it, but I prefer stories that are grounded in reality or scientifically reasonable, and that leads to the twist on the traditional zombie story that 28 Days Later is such a great example of.

The movie starts with kind of an homage to Day of the Triffids. The main character wakes up in a deserted hospital, oblivious to the disaster that has happened around him in the last 28 days. He runs into two other survivors who clue him into the fact that an epidemic has devastated the country, causing the infected to turn into mindless killing machines, overcome with pure simple rage.

We then follow our survivors as they try to escape the city, and find some remnant of government or military authority who can protect them. Unfortunately for them, there are many different kinds of threats, and being safe from one, doesn’t mean safe from the others.

A lot of the movie takes place out in the countryside, so there’s not as much post-apocalyptic London as I would have liked, but we do get a taste of it. And the action and the storyline more than make up for it.

So overall, I’ve probably watched it five or so times now, but it’s one of those movies I can watch again and again. If you haven’t seen it yet, it’s definitely worth it.

Watched Glen and Randa

Monday, October 26th, 2009

A few weeks ago, I was inspired by this post on the Post Apocalyptic Movie Mania blog to move Glen and Randa a little higher up on my Netflix queue. It took a few weeks for me to get to it, but it finally arrived, and I watched it tonight.

Aside from a few mentions of nudity, I had really no idea what the movie was about. It turns out that it does start with our two main characters (yup, you guessed it, Glen and Randa) stark naked for the first ten minutes. (And boy, is Randa hot in a 70s all natural top and bottom kind of way.) But after that, there’s not much that I would consider even R-rated, so I’m not sure where the idea of it being porn came from. Maybe they were just more prudish back then. (Edit: Huh, my bad, apparently it really was rated X when it was originally released in 1971)

But even though Randa remained mostly fully clothed for the rest of the movie, I still really liked it. It’s basically the story of Glen and Randa traveling across a post-apocalyptic countryside in search of a mostly-mythical city. The trailer says “20 years after the bomb” but they must have been whoppers because there’s now an ocean in Idaho.

This is not a mohawked-motorcycle-mauraders kind of movie. In fact, there are no mauraders, or even any violence, at all (unless you count the clubbing deaths of a few innocent fish). The point of the movie isn’t their physical fight to survive, it’s more about the innocence and naivete of the characters and how they live in this time.

Wow, I just took a look at IMDB, and it’s running a 2.1 (out of 10) rating. I would have given it something more in the 5-6 range, maybe even a 7. Overall, I liked it, and I’m glad I watched it, but I wouldn’t buy the DVD, and I probably won’t ever watch it again (unless it miraculously shows up on Blu-Ray, then I’d have to add it to my collection.)

But if you’re reading this, then you’re most likely a fan of the genre, so if you can handle a more thoughtful post-apocalypse, then check this one out. If you don’t want to buy it, it’s worth a queue-add.

Final bit of trivia: The stars of the movie, Steven Curry and Shelley Plimpton, first worked together in the original Broadway production of the rock musical Hair, so I guess they were already used to running around naked in front of an audience.

Update: I take back what I said about never watching it again. I bought the DVD, just to have it as part of my collection. It’s a worthwhile addition.

“Neville! Come out, Neville!” – Watched The Omega Man

Tuesday, September 29th, 2009

I finally joined the 21st century, and bought a Blu-Ray player this past weekend, so over the last few days I’ve been on the lookout for worthwhile post-apocalyptic movies in that format. So far I’ve picked up 12 Monkeys, The Road Warrior, Wall-E, and The Omega Man, and tonight, I decided to give the Charlton Heston version of the last man on Earth story a try.

I had seen Omega Man before, but it’s been years, and I didn’t remember much about it other than the fact that it was the second movie version of Richard Matheson’s novel, I Am Legend. The first interpretation on film was The Last Man On Earth starring Vincent Price (which has fallen out of copyright and into the public domain). That version was fairly faithful to the book in terms of the dynamic between the main character, Robert Neville, and the group that was out to kill him, the cause of the world-wide plague that wiped out civilization, and the fact that the “survivors” were actual vampires.

The Charlton Heston version tweaks the story just a tad to make the plague the result of biological weapons used in a war between China and Russia, and other than an aversion to light, the surviving victims of the plague aren’t vampiritic, just very pale and very crazy. Believing himself to be the last unaffected human on Earth, our hero drives around Los Angeles by day, hunting for the hidden “nest” of the Family, a cult-like group who dresses in robes and shuns modern technology for causing the downfall of Man. But when the sun goes down, the Family is free to roam the city, harassing Neville in his fortified apartment.

There are lots of cool scenes of Neville cruising around a deserted LA; grabbing new clothes as he needs them, swapping out his car when he gets a flat tire, and even firing up a generator to watch a movie in an otherwise empty theater. Those aspects mostly made up for the rest of the plot, which was a little thin. They never explained how the plague, or the madness it seemed to invoke, worked, and why it affected people differently, killing some outright, turning others into members of the Family, and leaving others apparently unscathed.

But if you can overlook a few vagaries, then the rest of the movie is good old-fashioned 1970s post-apocalyptic fun, and luckily it’s available for free via Netflix streaming, so it won’t even cost you anything to watch it (if you’ve got an account, of course).

The Omega Man is one of what’s considered to be a trilogy of sorts of post-apocalyptic’ish films starring Heston, the other two being Planet of the Apes and Soylent Green, both of which I’m now in the mood to watch. There’s a Planet of the Apes 40th Anniversary Collection box set with my name on it, waiting for an extra $100 to spare, but Soylent Green isn’t on Blu-Ray yet, so I’m going to watch that one the old-fashioned way, via torrent download.

Watched The Ultimate Warrior

Wednesday, September 9th, 2009

I was listening to episode 22 of the Destructomundo Podcast, Anarchy, the other day, and they made reference to a post-apocalyptic movie I had never heard of before, The Ultimate Warrior. I did some checking, and even though it is available on DVD (as a combo disk with Battle Beneath the Earth) it’s not on Netflx or the torrents. So I shelled out the cash to buy it on Ebay, and it arrived today.

Released in 1975 and starring Yul Brynner, The Ultimate Warrior is the earliest example I can recall of a PA scenario with a traveling hero figure who is enlisted to protect a group of survivors, a la Mad Max 2 from several years later.

The film takes place in New York City, just about 30 years after a series of plagues and crop diseases reduces civilization to scattered communities, each struggling to resist succumbing to hunger, and/or the groups of marauders intent on getting hold of their resources. One such commune hires Carson, Brynner’s character, to serve as their fighter and drive off any attacks.

I was surprised at how violent the movie was; not that the times it portrays would be less dangerous, on the contrary of course, but the body count just kept piling up. There were more stabbings than I could count, multiple throat cuttings, a garroting, one mob murder, a few heads bashed with rocks, two men purposefully thrown off buildings, one face pressed into a cooking fire, etc.

On the whole, I enjoyed it, and am glad I spent the money to be able to see it. It doesn’t rise to the level of the more well known 70s PA entries (Omega Man, Planet of the Apes, Soylent Green, Logan’s Run) but I did like it more than I liked A Boy and His Dog. (Though I do have to wonder why every film maker from the 70s assumes that bell-bottoms and hippie hair-dos will remain the prevailing fashion through the collapse of the world as we know it.)

If you’re reading this, you’re obviously a fan of the post-apocalypse, so if this one drops into your lap, it’s well worth the time it takes to watch it.

Watched O-bi, O-ba – Koniec cywilizacji

Friday, June 26th, 2009

O-bi, O-ba – Koniec cywilizacji is one of those foreign language post-apocalyptic films I discovered on the IMDB list of post-apocalytic media.  (I think it’s Polish, but I’m not sure.) I couldn’t download it, so I picked up a copy of the DVD on Ebay.  It cost less than $10 delivered, so I’m not sorry I bought it, but the movie was just ok.

It takes place one year after a nuclear war forces approximately 2000 survivors into a series of undergound bunkers, protected by some kind of dome that keeps out the fallout and nuclear winter.  To give the people hope, those in charge spread the story of the Ark, a space ship kind of thing that will come and take everyone off of Earth to safety.

The look and feel of the film was great; the bunker they lived in was totally believable.  There was lots of concrete and brick, and dripping exposed pipe.  But overall the movie was just too strange for me.  All of the characters were more or less insane, and the fact that everyone was looking forward to being rescued by the Ark, and going to live in space wasn’t very believable.

So if you happen to acquire a copy of it, it’s watchable, but I woudn’t spend the time looking for it.

Finally Watched Le Dernier Combat

Tuesday, May 12th, 2009

I’ve been meaning to watch Luc Besson’s Le Dernier Combat for years, but had just never gotten around to trying to hunt it down.  It’s been on my Netflix queue forever, with a DVD release date of “Unknown”, so I guess I expected it to turn up sooner or later.  But after watching District B13 last night and coming across Le Dernier Combat again while browsing Besson’s filmography, I decided to just go ahead and download it off the torrents.  It came down pretty quick, and was waiting for me when I got home from work today.

It’s funny that while I was donwloading it, I was hoping I was getting the English version, because I didn’t realize that it wouldn’t matter; there’s no spoken dialog in the film at all.  It’s not just that the characters don’t feel like talking, they’re all physically unable to for some reason.

The movie takes place an unspecified time after an unspecified apocalypse.  Some cities are completely covered in sand dunes, and some are clear, but mostly destroyed.  You see about 10 people total, though the move really centers around only three, The Man, The Doctor and The Brute.  I suppose it’s kind of an arthousey post-apocalyptic movie, slightly humorous in an old-fashioned silent movie kind of way with serious themes.

All in all, I enjoyed it.  The lack of dialog made it feel a little slow at times, but you could always tell what was going on, or what the characters were thinking.  With the number of awesome movies Luc Besson has been involved it, it’s cool that his very first feature film was raw post-apocalyptic.  And how many PA movies are there with chase-scene music straight out of an episode of CHiPs?

If you’re a PA fan and you haven’t seen it yet, go find it; it’s worthwhile.

Just Watched District B13

Monday, May 11th, 2009

I was going to watch The Day the Earth Caught Fire on DVD, but then my player froze up just a few minutes into it, so I started browsing the queue on my Roku for something else.

I decided on District B13, which I didn’t remember adding, but it turned out to be a good choice.  It’s not post-apocalyptic, but it could considered vaguely dystopian as it takes place in a near-future Paris where the most dangerous neighborhoods have been walled off, and the citizens inside left to fend for themselves.

The story is basically a re-telling of Escape from New York, with a goodly portion of Jackie Chan buddy-movie action thrown in.  It was written by Luc Besson (who you’ll remember from The Professional, Fifth Element, La Femme Nikita, The Transporter, etc.) A cop and a resident of B13 have to go in and disarm a nutron bomb before the timer expires and it explodes.  The two actors are a former stuntman and one of the guys who invented the sport of parkour (which then spawned freerunning) so it’s full of martial arts, great stunts, and major chases up, around and through the city.

Overall, it was really good.  The plot was full of holes, but that wasn’t the point; the action was good, and the interplay between the two main characters made for a very enjoyable movie.  I just did a quick search and was pleased to see that a sequel just came out in France so will probably be on Netflix later this year.

If you’ve got a Roku or some other way to watch Netflix streaming, and don’t mind sub-titles, this one is very worthwhile.