Posts Tagged ‘read’

American Apocalypse: The Beginning

Saturday, February 27th, 2010

As Chanda Phelan discovered while researching her masters thesis, the apocalypses portrayed in fiction generally tend to reflect the fears of the day – nuclear or biological war was big from the 50s until the 80s when end of the world scenarios began to reflect more natural or ecological causes. Given that trend, and the financial turmoil we’ve seen for the last several years, it’s not surprising that we’re starting to see post-apocalyptic novels where society’s fall is precipitated by a world-wide economic collapse.

American Apocalypse: The Beginning sets its story in a near-future United States where the current economic problems continue to worsen until the ties that hold our society together begin to unravel. Businesses are failing, unemployment is rising, parks and parking lots are filling with the homeless, governments can no longer afford to provide even the most basic services.

The descent has not yet turned into full-fledged collapse when we meet our main character, Gardener. That’s not his real name though, it’s a nick-name he earns after (justifiably) killing a man with a garden trowel. It’s clear Gardener doesn’t have many qualms about killing when after getting beat up by a group of men camping in a park, he buys a sword on Craigslist, and hacks them to death as they sleep.

I wasn’t thrilled with his thirst for vengeance or his methods, but more I didn’t like the way he was already resorting to murder when the societal situation was still mostly normal. I could see if there was general lawlessness by then, but there wasn’t, that’s just how Gardener is; he says it himself many times in the book, he just doesn’t care about anything. But I stuck with it, and Gardener started to grow on me a bit. He’s not very likable, but he’s honest to himself and what you see is what you get.

I also had issues with some basic plot lines that I thought were a bit implausible, and the fact that the economic factors contributing to the collapse of society were never fully explained. It’s just kind of assumed that things are getting worse, but we never really know exactly what’s going on. For example at one point, it’s explained that when purchasing goods, there is a cash price and a gold price, but that’s the first time we ever see anyone pay gold for anything. I’ve since found a time line of the major aspects of the economic collapse on the author’s site, but I wish more of that explanation had been in the book.

The book started as a series of posts on the economics blog, Calculated Risk, and was later expanded and edited into a novel, and in terms of technical composition, you can really tell it didn’t go through the standard writing and editing process. Even in the bound version I read, I found an error in grammar or punctuation every few pages, and once even an entire paragraph out of place.

But even with it’s flaws, I’m still glad I finished it. As long as you don’t expect it to be entirely realistic, it’s a quick, but fairly enjoyable read, and if you really get into it, the sequel is in the process of being re-written and should be available soon.

Note: This review was originally posted on QuietEarth.us.

The Breaking of Northwall, by Paul O. Williams

Friday, February 12th, 2010

I’m sure everyone reading this has a certain book, or series of books, that they first read in their youth, and look back on with great fondness. For me, that series is the Pelbar Cycle, and it starts with The Breaking of Northwall.

Originally published in 1981, and written by Paul O. Williams, The Breaking of Northwall is the first of seven books set about 1000 years after a world-wide apocalypse that has reduced the peoples of the mid-western United States into roaming bands of warring tribes, and the people known as the Pelbar, who live in great walled cities on what they call the Heart River.

Book One tells the story of Jestak, a Pelbar who, through various adventures, forms strong friendships with members of the Pelbars’ enemies, the Sentani, and the Shumai. Those relationships become the seed on which much broader ties grow between the groups, particularly when confronted with a common enemy.

I don’t know what the literary term is, but you’ll all recognize the cliche of the seemingly-meek character, thought a coward because they’re not overly aggressive and would prefer to avoid a fight if they’re able, but who when forced, can more than defend themselves. Well, this book is chock-full of those types of situations, mostly in regard to Jestak, but also the entire Pelbar people as well. If you get off on those kinds of things, like I do, you’ll like this book.

On the post-apocalyptic side of things, there aren’t a lot of ruins and such, but it is interesting to hear the names of the people and places and try to figure out how they relate to our current time. (If I remember right, there’s a glossary at the end of book two that explains a lot of the backstory.) The characters know little about the “time of fire” but through Jestak’s travels, they start to assemble clues that show that all of the tribes in the area were originally one people. In this book, gunpowder is rediscovered, and in the later books, there are other advances like the rediscovery of the steam engine.

With the possible exception of The Stand, the books of the Pelbar Cycle probably did more to cultivate my love of post-apocalyptic fiction than any other book. I’ll always remember them as one of my favorites, and I’m glad I decided to give them another read. I think that if I read it for the first time now, I’d still think it was a great book, and if you’re able to track down a copy, I hope that you’ll think so too.

ps I only decided to read this book again after a post on Cosy Catastrophe said he was going to read it, so be sure to head over there to read his review when it’s up. I’ll be curious to see what he thinks of it, with a perspective that’s not clouded by nostalgia like mine is.

Elegy Beach by Steven R Boyett

Tuesday, February 2nd, 2010

In 1984, Steven R Boyett released his first novel, Ariel, and introduced us to his vision of a world after The Change, a world where, at 4:30 p.m. one day, magic returned to the land, and the laws of physics were simply rewritten. All technology – gunpowder, electricity, and even complicated machines – no longer functions, 90% of the people simply disappeared, and magical creatures like demons, dragons, and the unicorn, Ariel, appeared in their stead. The story followed Ariel, and her katana-wielding companion, Pete Garey, from Atlanta, to Washington DC, to New York City and an aerial assault on the Empire State Building. It had all the elements of a great post-apocalyptic road trip story, but threw in just enough swords and sorcery to make it even more interesting.

Ariel became a cult classic, and now, 25 years later, Boyett finally returns to the world of The Change with the long-awaited sequel, Elegy Beach.

Elegy Beach picks up about 20 years after the events of Ariel, and shifts to the West Coast, where Pete’s son, Fred, is a young man growing up to be a talented caster. He and his best friend, Yan, try to apply scientific principles to the study of the magic that infuses their world, and for Yan, a taste of power only fuels his desire for even more.

The events that unfold next can be summed up in a scene where Fred thinks to himself, “In the air above the mountains in a battered gondola of a wounded airship on my way to confront my former best friend holed up in the ruin of a former castle while he perfects the casting that will reinstate the old world’s order I am talking to a unicorn about whether the centaur following us is carrying my captured father. Um, ok…”

It might sound like more of a fantasy novel than a post-apocalyptic one, and in some ways it is, but a key theme here is the disparity between those who lived before The Change, and those who grew up after it, and the differences in their attitudes and world views. There’s a great scene that takes place in a bubble of pre-Change space where Pete gets an old iPod to work, and plays some of Beethoven’s Ninth Symphony for Fred, and it blows his mind. He has never heard anything approaching recorded music, and with it, he begins to understand the loss that the older generation feels, and starts to realize that there may be lessons from the old world that are worth learning.

And the setting of the book is classic 1st generation post-apocalyptic. Buildings that are not actively maintained are falling apart, forests and overgrowth are starting to reclaim the land, and society is just starting to rebuild, mostly in isolated villages along the coast. They scavenge old stores, re-read 30 year old newspapers, and try to make do with what they have available.

The story of friends becoming enemies has been done before of course, but in this case, the recycled plot doesn’t hinder the book. The settings are interesting, events fast paced, and some of the dialog is just damnned funny, particularly because of the the wise and wise-cracking unicorn, Ariel. She is a fantastic character, and is the added element that transforms Elegy Beach from a standard post-apocalyptic story into something more.

I’m sorry it took 25 years to arrive, but better late than never, because it was well worth the wait. It’s definitely the kind of book that you can pick up every few years and enjoy again. If you don’t mind some fantasy mixed in with your post-apocalypses, I highly recommend it.

There Will Come Soft Rains

Sunday, January 17th, 2010

I get off on really old examples of post-apocalyptic literature, stuff from before the 1940’s or so. I’ve already mentioned works like The Conversation of Eiros and Charmion by Edgar Allan Poe and The Scarlet Plague by Jack London, and of course, there are many others.

One work that I came across a while back might be familiar to most of you because of how it was later adapted, but There Will Come Soft Rains didn’t start out as a Ray Bradbury short story, it was first a very short poem by Sara Teasdale written in 1920.

Here it is:

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pool singing at night,
And wild plum trees in tremulous white;

Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree,
If mankind perished utterly;

And Spring herself when she woke at dawn
Would scarcely know that we were gone.

For a pre-atomic age writer, I think it’s interesting that she was able to envision the total end of humanity like that. Unfortunately, she committed suicide in 1933. If she had lived another decade or so, I wonder what she would have thought about the events of 1945.

The Scarlet Plague by Jack London

Friday, January 15th, 2010

The Scarlet Plague might not be the absolute grand-daddy of apocalypse by plague stories (Mary Shelley’s The Last Man was written 75 years earlier) but it’s certainly one of the first, and it’s obviously a base on which more recent authors have built their works. Published in 1912 by Jack London (of Sea Wolf, White Fang, and The Call of the Wild fame), The Scarlet Plague is the first example I know of of the elderly survivor telling the story of the apocalypse to those born after it.

In this case, the survivor is James Howard Smith, Professor of English at Berkeley. He is the last person alive who lived before the plague that killed almost everyone in the world, 60 years earlier. Now, he sits around a campfire with his grandsons, who he calls savages, and describes the events of the last days of the old world.

And the story he tells would be instantly recognizable to anyone who’s read The Stand or similar books. The plague comes on without warning, and kills within an hour. People try to sequester themselves in their homes, but once one person is infected the disease ravages entire families. He specifically mentions governments covering up the reality of how dangerous the plague is, bodies piled in the streets, violence, murder and mayhem.

He flees San Francisco, meets up with a handful of other survivors, and then their descendants begin to form tribal groups known as the Chauffeurs, the Santa Rosans, the Sacrementos, the Palo Altos, and so on. Those descendants quickly revert back to what Smith refers to as the basest savagery. They wear skins, and carry bows and slings. They’re superstitious, have no concept of numbers, and are constantly interrupting and playing tricks on their grandfather as he tells his story.

Overall, I enjoyed it very much. It’s only about 100 pages or so, and it does sort of drag towards the end as he describes who married who in which tribe, but it’s a pillar of the genre, and so anyone who’s a fan should read it at least once.

It’s out of copyright, so is freely available in any format you could want. I did the Librivox audio book version, and the quality of the recording was great.

A Song Before Sunset, by David Rowland Grigg

Friday, December 11th, 2009

As Chanda Phelan found in her research, most of the apocalypses portrayed in the 70s were of the destructive variety, war or environmental. Catastrophes that lead to shell-shocked survivors struggling to survive in ruined cities by any means necessary.

That’s exactly the setting of the short story A Song Before Sunset, by David Rowland Grigg, from 1976.

After finishing the audiobook of One Second After, I needed something to listen to, so I Googled around for post-apocalyptic audiobooks, and came across A Song Before Sunset on Telltale Weekly, a provider of low cost, DRM-free audiobook downloads, for just $1.

The story runs for 28 minutes, and I thought it was great; a classic post-apocalypse with a city turned to rubble, streets full of rusted out cars, and survivors hunting rats for food and trading their skins for candles and tools. And through it all, an aging man, a former musician, works desperately to restore an old piano so that he can play a final concert, if only for himself.

It’s a great story, particularly if you’re in to that particular post-apocalyptic setting like I am. I’m not sure if it’s available in print anywhere, but for just a buck, the audiobook version is a great way to kill half an hour.

Edit: Ok, a quick search reveals that A Song Before Sunset is actually included in the short story anthology Wastelands edited by John Joseph Adams, which I obviously haven’t read yet. It’s also apparently available as one story in an anthology which Mr Grigg put up on Smashwords for just $2.

Read One Second After

Thursday, December 10th, 2009

I’ve been wanting to read One Second After by William R. Forstchen for a while. I finally got tired of waiting for it to become available at my local library, so I got the audiobook and just finished it today.

The story takes place in a small town in the mountains of North Carolina and begins on “The Day” when an electro-magnetic pulse fries anything containing electronics, and cuts the townspeople off from all forms of communication or contact with anyone not in their immediate vicinity. Most of the story covers the next two months, as they struggle to survive with no outside aid and no technology newer than about 30 years old.

I’ve read a lot of post-apocalyptic books that had an element of “Huh?”, where something just didn’t feel right, or I wondered if the plot would really play out like it was written. I didn’t have that problem with One Second After. Because Forstchen intended the book to be a warning that our government is not doing enough to protect the nation from EMP, he didn’t pull any punches in describing what life would be like without our electronics or electrical grid.

Hundreds die after only a few weeks, thousands after a few months, and 90% of the town is dead in a year. After just a few weeks they’re already debating whether to slaughter all the pet dogs in the town for food. There are rivalries, and alliances, with nearby towns, college kids turned militia, and a major battle with a gang of cannibalistic cultists.

Basically it reminded me a lot of the TV show Jericho, which has a very similar premise of a small town cut off from the rest of the country, not really knowing what’s going on and having to survive on their own.

It’s a little preachy on the dangers of EMP, and there are a couple of cheesy moments where someone spontaneously breaks out singing the Star Spangled Banner, but overall, I really liked it. It’s not the kind of book that I can read over and over, like The Road or The Stand, but it was good, and I’d highly recommend it for any fan of near-term post-apocalypse stories.

Under the Dome by Stephen King (major spoiler free)

Thursday, December 3rd, 2009

I finished Under the Dome today, and I have to say that I’m really very disappointed that I didn’t like it more. It wasn’t horrible by any means, but I just didn’t love it like I was expecting to.

On the positive side, it didn’t feel like a nearly 1100 page book. Most of the characters were at least mildly interesting, and the first several hundred pages flew by.

But that’s really the only positive spin I can think of to say about it. It was good reading for most of the book, but as a whole, it was unfulfilling.

One of my first high level complaints is that it tried to be two separate stories at once. We had the mystery of the the dome and who caused it or where it came from, and then there was the small town politician turned dictator. Those plot lines never crossed, and both ended on very weak notes, with one just kind of petering out, and the other just lame, or at least very obvious.

Imagine reading The Stand, and in addition to Randall Flag, there’s a separate story line about trying to figure out where the super flu came from. If it turned out that one created the other, and all the plot lines tied together, that would be fine, but if they’re unrelated it’s like reading two different books that just happen to be taking place in the same setting at the same time.

I think my enjoyment of the book was also tempered by the fact that I went into it thinking it was post-apocalyptic, when really it’s not. It’s not like The Mist, where the people are all alone. The people not under the dome are just fine, and the townspeople that are under the dome are only cut off physically but still watch CNN and browse the internet. As a character mentioned in the book, it’s like they’re all survivors trapped in a caved-in mine. Everyone knows they’re there, they just can’t get out.

Reading other reviews, I know that some people really liked it, so your mileage may vary. If you’re a fan of King’s writing, and don’t go into it with high expectations, you might find you’ll enjoy it more than I did.

The Conversation of Eiros and Charmion – Edgar Allan Poe – 1839

Wednesday, November 25th, 2009

Quick: Name a story about the effects of a comet hitting the Earth. I bet 90% of you who have an answer at all would say Lucifer’s Hammer and you’d be right of course, but there are probably at least a few of you out there who already knew about a story that I just discovered recently.

I’ve always considered myself a fan of Edgar Allan Poe. “The Cask of Amontillado”, “The Murders in the Rue Morgue”, “The Premature Burial”, “Annabel Lee”, “The Raven”, and of course “The Tell-Tale Heart” are all great. I have two or three books of his short stories and poetry laying around the house when I need something to read for a few minutes, which is why I so surprised to come across not only a Poe story that I’d never heard of, but a post-apocalyptic story at that.

The Conversation of Eiros and Charmion was written in 1839, and is at least one of the first, if not the first, modern stories dealing with the destruction of all life on Earth due to an astronomical impact, in this case, a comet.

At only a few pages, it’s a short read, but if you’re the least bit interested in historic post-apocalyptic fiction, it’s a must read, and I’ve even made it easy for you by including it here. Enjoy.


I will bring fire to thee.
EURIPIDES Andiom.

EIROS. Why do you call me Eiros?

CHARMION. So henceforth will you always be called. You must forget, too, my earthly name, and speak to me as Charmion.

EIROS. This is indeed no dream!

CHARMION. Dreams are with us no more; but of these mysteries anon. I rejoice to see you looking like-life and rational. The film of the shadow has already passed from off your eyes. Be of heart and fear nothing. Your allotted days of stupor have expired; and, to-morrow, I will myself induct you into the full joys and wonders of your novel existence.

EIROS. True, I feel no stupor, none at all. The wild sickness and the terrible darkness have left me, and I hear no longer that mad, rushing, horrible sound, like the “voice of many waters.” Yet my senses are bewildered, Charmion, with the keenness of their perception of the new.

CHARMION. A few days will remove all this;—but I fully understand you, and feel for you. It is now ten earthly years since I underwent what you undergo, yet the remembrance of it hangs by me still. You have now suffered all of pain, however, which you will suffer in Aidenn.

EIROS. In Aidenn?

CHARMION. In Aidenn.

EIROS. Oh, God!—pity me, Charmion!—I am overburthened with the majesty of all things—of the unknown now known—of the speculative Future merged in the august and certain Present.

CHARMION. Grapple not now with such thoughts. Tomorrow we will speak of this. Your mind wavers, and its agitation will find relief in the exercise of simple memories. Look not around, nor forward—but back. I am burning with anxiety to hear the details of that stupendous event which threw you among us. Tell me of it. Let us converse of familiar things, in the old familiar language of the world which has so fearfully perished.

EIROS. Most fearfully, fearfully!—this is indeed no dream.

CHARMION. Dreams are no more. Was I much mourned, my Eiros?

EIROS. Mourned, Charmion?—oh deeply. To that last hour of all, there hung a cloud of intense gloom and devout sorrow over your household.

CHARMION. And that last hour—speak of it. Remember that, beyond the naked fact of the catastrophe itself, I know nothing. When, coming out from among mankind, I passed into Night through the Grave—at that period, if I remember aright, the calamity which overwhelmed you was utterly unanticipated. But, indeed, I knew little of the speculative philosophy of the day.

EIROS. The individual calamity was, as you say, entirely unanticipated; but analogous misfortunes had been long a subject of discussion with astronomers. I need scarce tell you, my friend, that, even when you left us, men had agreed to understand those passages in the most holy writings which speak of the final destruction of all things by fire, as having reference to the orb of the earth alone. But in regard to the immediate agency of the ruin, speculation had been at fault from that epoch in astronomical knowledge in which the comets were divested of the terrors of flame. The very moderate density of these bodies had been well established. They had been observed to pass among the satellites of Jupiter, without bringing about any sensible alteration either in the masses or in the orbits of these secondary planets. We had long regarded the wanderers as vapory creations of inconceivable tenuity, and as altogether incapable of doing injury to our substantial globe, even in the event of contact. But contact was not in any degree dreaded; for the elements of all the comets were accurately known. That among them we should look for the agency of the threatened fiery destruction had been for many years considered an inadmissible idea. But wonders and wild fancies had been, of late days, strangely rife among mankind; and although it was only with a few of the ignorant that actual apprehension prevailed, upon the announcement by astronomers of a new comet, yet this announcement was generally received with I know not what of agitation and mistrust.

The elements of the strange orb were immediately calculated, and it was at once conceded by all observers, that its path, at perihelion, would bring it into very close proximity with the earth. There were two or three astronomers, of secondary note, who resolutely maintained that a contact was inevitable. I cannot very well express to you the effect of this intelligence upon the people. For a few short days they would not believe an assertion which their intellect, so long employed among worldly considerations, could not in any manner grasp. But the truth of a vitally important fact soon makes its way into the understanding of even the most stolid. Finally, all men saw that astronomical knowledge lied not, and they awaited the comet. Its approach was not, at first, seemingly rapid; nor was its appearance of very unusual character. It was of a dull red, and had little perceptible train. For seven or eight days we saw no material increase in its apparent diameter, and but a partial alteration in its color. Meantime the ordinary affairs of men were discarded, and all interests absorbed in a growing discussion, instituted by the philosophic, in respect to the cometary nature. Even the grossly ignorant aroused their sluggish capacities to such considerations. The learned now gave their intellect—their soul—to no such points as the allaying of fear, or to the sustenance of loved theory. They sought- they panted for right views. They groaned for perfected knowledge. Truth arose in the purity of her strength and exceeding majesty, and the wise bowed down and adored.

That material injury to our globe or to its inhabitants would result from the apprehended contact, was an opinion which hourly lost ground among the wise; and the wise were now freely permitted to rule the reason and the fancy of the crowd. It was demonstrated, that the density of the comet’s nucleus was far less than that of our rarest gas; and the harmless passage of a similar visitor among the satellites of Jupiter was a point strongly insisted upon, and which served greatly to allay terror. Theologists, with an earnestness fear-enkindled, dwelt upon the biblical prophecies, and expounded them to the people with a directness and simplicity of which no previous instance had been known. That the final destruction of the earth must be brought about by the agency of fire, was urged with a spirit that enforced everywhere conviction; and that the comets were of no fiery nature (as all men now knew) was a truth which relieved all, in a great measure, from the apprehension of the great calamity foretold. It is noticeable that the popular prejudices and vulgar errors in regard to pestilences and wars—errors which were wont to prevail upon every appearance of a comet—were now altogether unknown. As if by some sudden convulsive exertion, reason had at once hurled superstition from her throne. The feeblest intellect had derived vigor from excessive interest.

What minor evils might arise from the contact were points of elaborate question. The learned spoke of slight geological disturbances, of probable alterations in climate, and consequently in vegetation; of possible magnetic and electric influences. Many held that no visible or perceptible effect would in any manner be produced. While such discussions were going on, their subject gradually approached, growing larger in apparent diameter, and of a more brilliant lustre. Mankind grew paler as it came. All human operations were suspended. There was an epoch in the course of the general sentiment when the comet had attained, at length, a size surpassing that of any previously recorded visitation. The people now, dismissing any lingering hope that the astronomers were wrong, experienced all the certainty of evil. The chimerical aspect of their terror was gone. The hearts of the stoutest of our race beat violently within their bosoms. A very few days sufficed, however, to merge even such feelings in sentiments more unendurable. We could no longer apply to the strange orb any accustomed thoughts. Its historical attributes had disappeared. It oppressed us with a hideous novelty of emotion. We saw it not as an astronomical phenomenon in the heavens, but as an incubus upon our hearts, and a shadow upon our brains. It had taken, with inconceivable rapidity, the character of a gigantic mantle of rare flame, extending from horizon to horizon.

Yet a day, and men breathed with greater freedom. It was clear that we were already within the influence of the comet; yet we lived. We even felt an unusual elasticity of frame and vivacity of mind. The exceeding tenuity of the object of our dread was apparent; for all heavenly objects were plainly visible through it. Meantime, our vegetation had perceptibly altered; and we gained faith, from this predicted circumstance, in the foresight of the wise. A wild luxuriance of foliage, utterly unknown before, burst out upon every vegetable thing.

Yet another day—and the evil was not altogether upon us. It was now evident that its nucleus would first reach us. A wild change had come over all men; and the first sense of pain was the wild signal for general lamentation and horror. This first sense of pain lay in a rigorous constriction of the breast and lungs, and an insufferable dryness of the skin. It could not be denied that our atmosphere was radically affected; the conformation of this atmosphere and the possible modifications to which it might be subjected, were now the topics of discussion. The result of investigation sent an electric thrill of the intensest terror through the universal heart of man.

It had been long known that the air which encircled us was a compound of oxygen and nitrogen gases, in the proportion of twenty-one measures of oxygen, and seventy-nine of nitrogen, in every one hundred of the atmosphere. Oxygen, which was the principle of combustion, and the vehicle of heat, was absolutely necessary to the support of animal life, and was the most powerful and energetic agent in nature. Nitrogen, on the contrary, was incapable of supporting either animal life or flame. An unnatural excess of oxygen would result, it had been ascertained, in just such an elevation of the animal spirits as we had latterly experienced. It was the pursuit, the extension of the idea, which had engendered awe. What would be the result of a total extraction of the nitrogen? A combustion irresistible, all-devouring, omni-prevalent, immediate; the entire fulfillment, in all their minute and terrible details, of the fiery and horror-inspiring denunciations of the prophecies of the Holy Book.

Why need I paint, Charmion, the now disenchained frenzy of mankind? That tenuity in the comet which had previously inspired us with hope, was now the source of the bitterness of despair. In its impalpable gaseous character we clearly perceived the consummation of Fate. Meantime a day again passed, bearing away with it the last shadow of Hope. We gasped in the rapid modification of the air. The red blood bounded tumultuously through its strict channels. A furious delirium possessed all men; and, with arms rigidly outstretched toward the threatening heavens, they trembled and shrieked aloud. But the nucleus of the destroyer was now upon us; even here in Aidenn, I shudder while I speak. Let me be brief—brief as the ruin that overwhelmed. For a moment there was a wild lurid light alone, visiting and penetrating all things. Then—let us bow down, Charmion, before the excessive majesty of the great God!—then, there came a shouting and pervading sound, as if from the mouth itself of HIM; while the whole incumbent mass of ether in which we existed, burst at once into a species of intense flame, for whose surpassing brilliancy and all-fervid heat even the angels in the high Heaven of pure knowledge have no name. Thus ended all.

KILOTØN Shots

Sunday, October 25th, 2009
  • Created a 2nd variation of my Megaton theme for the Palm Pre for those of you who prefer a more colorful post-apocalypse. http://is.gd/4qCV2 #
  • Thanks @Wilcoy for turning me on to the BBC show The Changes from the 70s. It looks awesome. Wonder if it's torrentable. http://is.gd/4rssh #
  • RT: @postapocmovies: Best Apocalyptic movie of all time? Road Warrior? – I'd second that emotion. #
  • Just added two of the three new DVD releases mentioned on QuietEarth.us to my Netflix queue. http://is.gd/4sTYB #
  • RT: @Zombiephile: Announcing Z-DAY – A Real-Time, Twitter-Based Zombie Outbreak Simulation. Spread the word http://bit.ly/2Sf1y #
  • The computer seems to be speaking… "Four, three, two, one…" #mylasttweetonearth #
  • Another cool looking (maybe Polish?) post-apocalyptic blog I wish I could read. http://postapokalipsa.wordpress.com/ #
  • 2 Netflix DVDs at home: Glen & Randa and Onechanbara: Samurai Bikini Squad. Which to watch first? Decisions, decisions… #

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